We Did Ok, Kid: A Memoir
ANTHONY HOPKINS
(SIMON & SCHUSTER, 368 PP, £25)
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The autobiographies of actors are often disappointing. Later generations wanting to know about Laurence Olivier will find less insight in his Confessions of an Actor and On Acting than in many biographies. The difficulty is that memoirs describe the writer’s life while an acting career consists of occupying others’ lives, often mysteriously and instinctively. All Olivier books contain the story of cast members saluting a particularly great performance as Othello and finding Olivier downcast due to having no idea of why it was great, and therefore having no prospect of repeating it.
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