THIS SUMMER’S epic blockbuster does everything right; and yet it’s strangely underwhelming. To attempt a cinematic version of Homer is ambitious enough but Oscar-winning writer-director Sir Christopher Nolan then chose to shoot The Odyssey on unwieldy IMAX cameras and, wherever possible, to eschew green-screen or CGI in favour of practical effects and real locations. His decision delivers a rich and visceral visual experience with stunning clarity and depth that underscores a narrative of physical endeavour, strength and courage pitted against terrifying obstacles including storms at sea, monsters and armies of the dead.
Get Instant Access
Register for free to read this article in full
Subscribe for unlimited access
From just £37.50 quarterly
Print copy of The Tablet delivered directly to your door.
Complete access to all Tablet website content including all premium content.
Access to the weekly digital copy of The Tablet.
Full access to The Tablet’s archive – over 180 years of back issues.

Already a subscriber? Login

MOST READ ARTICLES
1
Archbishop of Cardiff-Menevia meets with other worldwide Catholic Church leaders to discuss liturgy
2
Let there be light
3
World Humanitarian Day: aid workers face a ‘crisis of protection’
4
Ruling allows French private hospitals limited exemption from assisted suicide
5
A tract for our times
6
The wisdom of the saints
FROM THE EDITOR'S DESK