Arts

Ultimate choices

05 June 2014 | by Robert Thicknesse | Comments: 0

You don’t have to be a rocket scientist to spot the pitfalls lying in wait for Francis Poulenc’s 1956 opera: this tale of the death by guillotine of 16 nuns could be voyeuristic, irrelevant, preachy, sentimental – or (possibly) transcendently ­powerful and moving. Opera production is a delicate matter, rarely more so than with this product of a composer devoted to the ­flippant, whose sudden access of operatic piety can easily prompt scorn.Also, how do you deal with the idea of martyrdom in times when it has been appropriated by murderous delusionaries? It feels almost startling that Robert Carsen’s staging doesn’t confront this – but it is the product of what seems a lost age of innocence, having been wandering the world since 1997 and only now ....... ....... ........ ........ ........ ........ ........ ........ ........ ........ ........

New Subscribers click here
New users wishing to Register to read this article click here
Existing Subscribers and Registered users can login here





Post a Comment

You can post as either a regular user, or by registering as a new user...


User Comments (0)

Latest Issue
Digital/PDF Version

PDF version (iPad-friendly)

Previous Issues
Latest Tweet
Share Us
Tablet Subscription

Manage my subcription here

Manage
Newsletter

Sign up for our newsletter

Sign Up
Top