One of the most provocative works Caravaggio ever painted goes on show for the first time in the UK next week. It’s Victorious Cupid, a full-frontal nude of a young boy, painted in Rome in the first year of the seventeenth century: and though it hasn’t lost its capacity to shock, it also shines a spotlight on a pivotal relationship the artist had with two brothers, one of whom was a cardinal, without whose patronage he might never have gone on to achieve the extraordinary fame he eventually did.
Get Instant Access
Register for free to read this article in full
Subscribe for unlimited access
From just £37.50 quarterly
Print copy of The Tablet delivered directly to your door.
Complete access to all Tablet website content including all premium content.
Access to the weekly digital copy of The Tablet.
Full access to The Tablet’s archive – over 180 years of back issues.

Already a subscriber? Login

MOST READ ARTICLES
1
Pope Leo diagnosed with lung cancer after operation
2
Battling confession fatigue
3
The Tablet Lecture 2026: Keeping the dream of peace alive
4
Vatican confirms Pope’s Latin America travel plans despite operation
5
Under endless skies
6
Nicaraguan bishops visit Rome as Ortega regime tightens grip
FROM THE EDITOR'S DESK