The Bible in rough
Watch if you dare – ENO’s Angel’s Bone in Manchester.
TRISTRAM KENTON; MIHAELA BODLOVIC
This is a world where no damnation is worse than cancel culture, and redemption comes not from God but from social media.
IT MIGHT BE Charlton Heston raising a stone tablet heavenwards in Glorious Technicolor, or the pastel-soft beauty of a Raphael Annunciation. It could be Barbara Hepworth’s geometric Crucifixion, or maybe Andrew Lloyd Webber’s Jesus Christ Superstar. Because one thing is for sure: how we tell the Bible in art is a gloriously broad church.
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