Chichester Cathedral, always a joy, is never better than at this time of year, when the blossoms outside echo the artistic blooms within: works by Marc Chagall (his strongly coloured window recall ing Psalm 150: “O Praise God in his holiness”); John Piper (whose vast altar tapestry reimagines the Holy Trinity); and most appropriately of all as we move into Holy Week, Graham Sutherland (whose delicate, intriguing Noli Me Tangere depicts the moment Mary Magdalene became the first witness to the Resurrection).
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