How can we hear what a painting has to tell us? There’s nowhere better to start than with the work of Mark Rothko, as Benjamin Poore explains.
04 April 2024, The Tablet
The sound of silence
Feldman was a great composer of silences – pregnant, lingering caesurae punctuating his scores.
Secret mystery: Mark Rothko’s Black on Maroon (1959), one of the Seagram Murals
ALAMY / AUL QUEZADA NEIMAN
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