17 February 2022, The Tablet

Word made flesh


Word made flesh

Fragment of a Crucifixion, 1950
Van Abbemuseum, Eindhoven © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2021. Photo: Hugo Maertens

 

Francis Bacon: Man and Beast
Royal Academy of Arts, London

Francis Bacon hated people interpreting his work; he discouraged them, saying it “meant nothing”. But I suspect he would have been secretly pleased by the theme chosen by the curators of the Royal Academy’s exhibition “Francis Bacon: Man and Beast” (until 17 April), the first to explore his animalistic treatment of the human body.

“We are all meat, we are all potential carcasses,” Bacon once declared; he claimed to be surprised, when inside a butcher’s shop, not to be hanging off a hook himself. In a world without a higher power, humanity was reduced to its animal instincts: “We are born and we die, but in between we give this purposeless existence a meaning by our drives.”

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