Emil Nolde’s triptych of the Crucifixion portrays the three most interesting elements of his work in one canvas. The vibrant reds, oranges and greens tell you he was an experimental colourist. The Christ figure, arms outstretched, displays his fascination with faith in all its guises.
30 August 2018, The Tablet
Anti-Semitism taints Nolde's colourful legacy
Get Instant Access
Continue Reading
Register for free to read this article in full
Subscribe for unlimited access
From just £30 quarterly
Complete access to all Tablet website content including all premium content.
The full weekly edition in print and digital including our 179 years archive.
PDF version to view on iPad, iPhone or computer.
Already a subscriber? Login