Arts
Arts > Larger than life

02 March 2017 | by Mark Lawson

Larger than life

Travesties

 

Scripts based on unlikely real-life encounters have become a flourishing genre. Plays have imagined conversations between Albert Einstein and Marilyn Monroe, Mother Teresa and Robert Maxwell, and the real-life models for Peter Pan and Alice in Wonderland.

A pioneer of these historical-coincidence pieces was Tom Stoppard’s Travesties (1974), inspired by the discovery that, in Zurich in 1917, two exiles – James Joyce and Lenin – were respectively plotting Ulysses and the Russian Revolution. Living near them was another radical, the artist Tristan Tzara, one of the founders of the extreme-modernist art movement, Dadaism.

While plays kicking off from such a cultural footnote have been research based, Stoppard’s is mischief driven. Because some facts are unavailable or dates do not match, he locates the action in the trick-playing memory of Henry Carr, a minor British consular official, although, remarkably, even this non-famous name is a real one.





Subscriptions

Subscribe to The Tablet from just £19.99 quarterly
3 options available
Subscribe




Share this story

Article List


Post a Comment

You can post as a subscriber user...


User Comments (0)

Newsletter

Sign up for our newsletter

Sign Up

Latest Issue
Digital/PDF Version

PDF version (iPad-friendly)

Previous Issues
Tablet Subscription

Manage my subcription here

Manage
Top